{"id":988,"date":"2025-08-26T12:02:46","date_gmt":"2025-08-26T11:02:46","guid":{"rendered":"https:\/\/andreemarliere.com\/?page_id=988"},"modified":"2025-08-26T12:14:05","modified_gmt":"2025-08-26T11:14:05","slug":"painting","status":"publish","type":"page","link":"https:\/\/andreemarliere.com\/index.php\/painting\/","title":{"rendered":"Painting"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#abb8c3\" class=\"has-inline-color\">Painting<\/mark><\/h2>\n\n\n\n<p>After the curtain fell on her stage career, Andr\u00e9e Marli\u00e8re turned the same discipline she brought to rehearsal toward canvas. The subjects vary, drummers and samurai reduced to planes, sail and sea abstracted into rhythm, but the concerns stay constant: how line carries weight, how a curve breathes, how light shapes motion. <\/p>\n\n\n\n<p>She approached painting as a continuation of choreography, learning the score of each image and letting gesture lead form. Her own site summarises this pivot simply: after teaching and ballet-master work, she devoted herself to painting and began exhibiting in Antwerp and beyond.<\/p>\n\n\n\n<p>From 1998 onward she showed regularly: <strong>Stadsschouwburg Antwerpen (\u201chet Paleis\u201d)<\/strong> in 1998, Galerie 44 in Cha\u00eeri\u00e8re in 1999 and 2000, and a return to the stage world with a display at the Koninklijk Ballet van Vlaanderen in 2002. <\/p>\n\n\n\n<p>Through the mid-2000s the itinerary widened, Galerij Paulus (2003), Art-Event Antwerp (2004), Galerie de la Madeleine in Brussels (2005), the <strong>XIV Biennale de L\u00e9rida in Spain<\/strong>, and the Association des Peintres et Sculpteurs de la Danse Europ\u00e9ens in October 2006, before closing the cycle with local shows at \u201cPoort van Cyriel\u201d in Buggenhout and at <strong>Cultureel Centrum De Kollebloem in Puurs<\/strong> in early 2007. <\/p>\n\n\n\n<p>Contemporary notices framed the work as dance translated to paint. <strong>La Semaine d\u2019Anvers<\/strong> praised \u201ca talent that immediately engages\u201d in 2002 and later wrote that she painted as she had danced, \u201cwith heart and mind.\u201d <\/p>\n\n\n\n<p><strong>Gazet van Antwerpen\u2019s 2007<\/strong> coverage called the Puurs exhibition theatrical in spirit and sketched her path from drawing on tour to a focused studio practice in later years. <\/p>\n\n\n\n<p>Those reviews match what the paintings themselves suggest: a performer\u2019s sense of timing, a coach\u2019s precision, and an autodidact\u2019s stubborn clarity.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Painting After the curtain fell on her stage career, Andr\u00e9e Marli\u00e8re turned the same discipline she brought to rehearsal toward canvas. The subjects vary, drummers and samurai reduced to planes, sail and sea abstracted into rhythm, but the concerns stay constant: how line carries weight, how a curve breathes, how light shapes motion. She approached [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-988","page","type-page","status-publish","hentry"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/andreemarliere.com\/index.php\/wp-json\/wp\/v2\/pages\/988","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/andreemarliere.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/andreemarliere.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/andreemarliere.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/andreemarliere.com\/index.php\/wp-json\/wp\/v2\/comments?post=988"}],"version-history":[{"count":4,"href":"https:\/\/andreemarliere.com\/index.php\/wp-json\/wp\/v2\/pages\/988\/revisions"}],"predecessor-version":[{"id":994,"href":"https:\/\/andreemarliere.com\/index.php\/wp-json\/wp\/v2\/pages\/988\/revisions\/994"}],"wp:attachment":[{"href":"https:\/\/andreemarliere.com\/index.php\/wp-json\/wp\/v2\/media?parent=988"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}