{"id":911,"date":"2025-08-25T16:49:15","date_gmt":"2025-08-25T15:49:15","guid":{"rendered":"https:\/\/andreemarliere.com\/?page_id=911"},"modified":"2025-08-26T12:25:40","modified_gmt":"2025-08-26T11:25:40","slug":"partners-repertoire","status":"publish","type":"page","link":"https:\/\/andreemarliere.com\/index.php\/partners-repertoire\/","title":{"rendered":"Partners & Repertoire"},"content":{"rendered":"\n
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Partners & Repertoire<\/mark><\/h1>\n\n\n\n

A life on stage is also a life in partnership. These are the principal artists who shared the studio and the spotlight with Andr\u00e9e Marli\u00e8re. Each entry shows where their paths crossed, the seasons they worked together, and a few works that defined those years. <\/p>\n\n\n\n

These partnerships shaped her technique, refined her style, and carried her from Brussels and Berlin to Florence and D\u00fcsseldorf, then onward on international tours. Use this as a guide to the names in the programs, the rehearsals behind them, and the repertory born of those collaborations.<\/p>\n\n\n\n

Partner<\/th>Company \/ Context with Marli\u00e8re<\/th>Approx. Years<\/th>Selected Repertoire Together<\/th><\/tr><\/thead>
Andr\u00e9 Leclair<\/strong><\/td>Gala Querida (Palais des Beaux-Arts, Brussels); later Royal Flemish Opera Ballet, Antwerp<\/td>1946\u201347; 1966\u201370<\/td>Cinderella<\/em> (staging by Leclair), Concerto de Aranjuez<\/em>, Pell\u00e9as et M\u00e9lisande<\/em>, Orpheus<\/em><\/td><\/tr>
Raoul Celada<\/strong><\/td>Grand Ballet du Marquis de Cuevas \/ touring engagements<\/td>1959<\/td>Classical pas de deux from Swan Lake<\/em> and Giselle<\/em> (tour programs)<\/td><\/tr>
Gert Reinholm<\/strong><\/td>Berliner Ballett under Tatjana Gsovsky<\/td>1957\u201358<\/td>Hamlet<\/em>, Orpheus<\/em> (post-war Berlin repertory)<\/td><\/tr>
P\u00e9p\u00e9 Urbani<\/strong><\/td>Berliner Ballett; Urbani as dancer\/choreographer<\/td>1957\u201358<\/td>Kleiner Sketch<\/em>, Italiana<\/em><\/td><\/tr>
J\u00fcrgen Feindt<\/strong><\/td>Berliner Ballett ensemble<\/td>1957\u201358<\/td>Mixed-bill pas de deux and character repertory (Berlin tours)<\/td><\/tr>
Harald Horn<\/strong><\/td>Berlin dance ensembles around the Gsovsky era<\/td>1956\u201358<\/td>Mixed classical\/character repertory (Berlin seasons)<\/td><\/tr>
Jean Babil\u00e9e<\/strong><\/td>Ballet Jean Babil\u00e9e (Marli\u00e8re first soliste)<\/td>1958\u201359<\/td>La Boucle<\/em>, Balance \u00e0 trois<\/em>, Balletino<\/em><\/td><\/tr>
G\u00e9rard Ohn<\/strong><\/td>Paris engagements and guestings around Babil\u00e9e circle<\/td>Late 1950s<\/td>Classical pdd selections and Paris mixed bills<\/td><\/tr>
Jacques Sausin<\/strong><\/td>Th\u00e9\u00e2tre de la Monnaie \/ early Brussels years<\/td>1959\u201361<\/td>Brussels mixed bills; early B\u00e9jart-era creations<\/td><\/tr>
Maurice B\u00e9jart<\/strong><\/td>Ballet du XXe Si\u00e8cle \/ La Monnaie (artistic director; occasional stage partner in early years)<\/td>1959\u201364; reprise 1970\u201371<\/td>Les Quatre Fils Aymon<\/em>, Such a Sweet Thunder<\/em>, Orph\u00e9e<\/em>, Pulcinella<\/em><\/td><\/tr>
Paolo Bortoluzzi<\/strong><\/td>Ballet du XXe Si\u00e8cle principal<\/td>1960\u201364<\/td>Tour repertory from the Brussels seasons; featured neoclassical roles<\/td><\/tr>
Germinal Casado<\/strong><\/td>Ballet du XXe Si\u00e8cle<\/td>1960\u201364<\/td>Le Sacre du printemps<\/em>, Rom\u00e9o et Juliette<\/em> (touring highlights)<\/td><\/tr>
Patrick Belda<\/strong><\/td>Ballet du XXe Si\u00e8cle<\/td>Early\u2013mid 1960s<\/td>Leading roles across B\u00e9jart repertory in Brussels cycles<\/td><\/tr>
Pierre Dobrievich<\/strong> (also Dobrievitch)<\/td>Ballet du XXe Si\u00e8cle dancer, later ballet master<\/td>Early\u2013mid 1960s<\/td>Les Quatre Fils Aymon<\/em> and Brussels mixed bills<\/td><\/tr>
Aim\u00e9 de Ligni\u00e8re<\/strong><\/td>Royal Ballet of Flanders ecosystem; colleague partner in Antwerp<\/td>1970\u201371; later as stager\/coach<\/td>Classical and neoclassical revivals during her final Antwerp seasons<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Partners & Repertoire A life on stage is also a life in partnership. These are the principal artists who shared the studio and the spotlight with Andr\u00e9e Marli\u00e8re. Each entry shows where their paths crossed, the seasons they worked together, and a few works that defined those years. These partnerships shaped her technique, refined her […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-911","page","type-page","status-publish","hentry"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/andreemarliere.com\/index.php\/wp-json\/wp\/v2\/pages\/911","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/andreemarliere.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/andreemarliere.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/andreemarliere.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/andreemarliere.com\/index.php\/wp-json\/wp\/v2\/comments?post=911"}],"version-history":[{"count":3,"href":"https:\/\/andreemarliere.com\/index.php\/wp-json\/wp\/v2\/pages\/911\/revisions"}],"predecessor-version":[{"id":1003,"href":"https:\/\/andreemarliere.com\/index.php\/wp-json\/wp\/v2\/pages\/911\/revisions\/1003"}],"wp:attachment":[{"href":"https:\/\/andreemarliere.com\/index.php\/wp-json\/wp\/v2\/media?parent=911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}