Coach

After her stage career Andrée Marlière became a trusted coach for choreographers and companies. She specialised in rebuilding and rehearsing ballets so that new casts could carry the original style with clarity. Her approach was practical and precise.

She learned every role, annotated musical counts and dynamics, set spacing and épaulement, aligned tempi with the conductor, preserved mime and dramatic intent, and handed each cast a clean, stage-ready version of the work. She also trained répétiteurs and kept revivals in shape across tours and alternate casts.

Selected coaching and restagings

Royal Ballet of Flanders (Antwerp)

• Cage of God John Carter
• Pas de Six August Bournonville, from Napoli
• Opus Eén John Cranko
• Ain Dor Moshe Efrati
• Allegro Brillante George Balanchine
• Kaleidoscope John Butler
• After Eden John Butler
• Brandenburg Drie Tscharny
• Cantus Firmus Jeanne Brabants
• Dialogue Jeanne Brabants

Badische Staatsoper Karlsruhe

• Peter and the Wolf Germinal Casado
• Carmina Burana Germinal Casado

Guest engagements

• Sylvia Germinal Casado, Łódź, Poland
• The Three Musketeers Germinal Casado, Toulouse, France
• Songe d’une nuit d’été Germinal Casado, Athens, Greece
• Whimsicalities Nils Christe, Conservatoire de la Danse, Paris

Antwerp Ballet School

• Cantus Jeanne Brabants
• Salvé Antwerpia Jeanne Brabants
• Bal des Cadets after Michel Fokine
• Paquita after Marius Petipa

Scope of work

• Casting in consultation with artistic staff and choreographers
• Full role preparation for principals, soloists, and corps de ballet
• Daily coaching on musical phrasing, line, épaulement, and style
• Staging notes, spacing, and traffic patterns for studio and stage
• Coordination with music staff on tempi and cuts
• Maintenance rehearsals and tour remounts